Here's something nice though - Tanya Tagaq won the prize. Check this out, it's mind blowing.
There is a nice wrap on blogto. Great piece.
Here's something nice though - Tanya Tagaq won the prize. Check this out, it's mind blowing.
There is a nice wrap on blogto. Great piece.
I see a list like this and I think - how could it be anything but Arcade Fire? Then they go and pick something else entirely. I dunno. It's one of the best records of the past few years. I'll have to listen to the bunch of them again or for the first time and compare, but it's a tall order.
Feist was a good pick. I wonder if the jury will feel the need to go with a less well known act next year on account of picking two huge, internationally known artists in a row?
The gala will be streamed live on Muchmusic.com on September 24th at 8pm
Here's the nominee shortlist:
No hip-hop record has ever won the prize.
No artist has won the prize twice.
No female artist has ever won the prize.
Last year's winner, Arcade Fire, could be considered a pretty big act compared to its fellow nominees. This may cause the jury to favour more 'indie' artists. However, the fact that Arcade Fire won at all was a surprise, in my opinion, considering they had recently won the Grammy for Album of the Year.
The jury is not afraid to go with an unexpected or underdog choice (Karkwa, Final Fantasy).
Past winners have been pretty much split between Toronto (and area) and Montreal (and area).
Adventurous musicality seems to be rewarded.
Good bets to win: Cadence Weapon (genre, geography), Cold Specks (relatively unknown artist, female)
Could go either way/I'm not sure: Handsome Furs, Japandroids, Grimes, YT//ST
Unlikely to win: Fucked Up (previous winner), Feist, Drake (pretty big artists), Kathleen Edwards (perhaps not 'cutting-edge' enough)
Welp, there you go. Totally uneducated, wild guesses.
Thoughts?
I don't think this band really deserves all this glowing press. They're pretty good, don't get me wrong, but it's not original or fresh enough to warrant the gushing praise for a relatively new band that hasn't found its own distinctive voice quite yet.
I find at this point, they're taking a lot from Ladytron. I will certainly be following this band as they continue to make music, but I can't agree with what appears to be the popular opinion on this group. I'm sorry I missed out on their recent Toronto performance, cause I imagine them as a performance-first type of band.
From their new album, the track "Lose It" also seems to get the most chatter. I prefer "The Beat and the Pulse", as it's the defining track on the album and contains the lyric from which the album gets its title, Feel It Break. It also has a killer build to through the song to the chorus, and the track just sounds amazing.
Decide for yourself:
Also, I can't decide whether this video is unbelievably precious and pretentious, or just low budget:
I'm going to say a little bit of column A, a little bit of column B.
"In terms of variety, in terms of genres and styles and intensities, they're 10 very different artistic statements, all very passionate in their own way," prize founder Steve Jordan said.
The Polaris long list had considerably more diversity. If the short list came from the same panel of critics, how did things get so… safe? I can’t fault the Polaris Music Prize for choices made by consensus, but it does make me worry about who makes up that consensus. Maybe it’s time to actively seek out critical minds with more varied tastes.